Oscar’s Angels

If you, like us, have started to make your Oscar’s ballots, you would have probably noticed that the Best Actress category is a tough one to decide.

There is Meryl Streep, who has been nominated 16 times thus far but only won two (for her roles in Kramer vs Kramer  and Sophie’s Choice). Her stellar depiction of Margaret Thatcher in The Iron Lady has the sympathy of critics like David Gritten, who commented at The Telegraph; “Awards should be coming Streep’s way; yet her brilliance rather overshadows the film itself.”

Another heavyweight is Glenn Close, who co-produced, co-wrote and even composed the original song of Albert Nobbs. In it, she plays a 19th Century butler who disguises herself as a man  in order to prosper in society. At her favor plays the fact that Close has been nominated five times but has never won.

Michelle Williams is up for the prize with two previous nominations (for her supporting role in Brokeback Mountain and leading role in Blue Valentine). Her impersonation of Marilyn Monroe in My Week With Marilyn has the critics approval although the movie itself hasn’t stirred up the same reaction.

Viola Davis is Aibileen Clark, a housekeeper in Mississippi during the 1960s that befriends a white journalist in The Help. Her performance is tearjerking and she has one nomination for best supporting actress in Doubt, where, by the way, she shared the screen with Meryl Streep.

Not to underestimate newcomer Rooney Mara. Her performance in The Girl With the Dragon Tattoo as Lisbeth Salander, a hacker who joins forces with a journalist to find a woman who has been missing for 40 years, has been much acclaimed.

Find the articles below.

Meryl Streep
Newsweek, December 2011

Glenn Close
Palm Springs Life, January 2012

Viola Davis
Elle, November 2011Michelle Williams
Newsweek, November 2011

Rooney Mara
Back Stage, December 2011

 

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The Academy Of Acting – Best Actor Articles From Zinio

In a few short weeks, all the hype of the past three or four months leading up to the height of ‘Award Season’ will come to an end. The red carpet will be rolled away, the theater seats empty, and the glitz, profile and convergence of celebrity and celluloid will be mostly forgotten, leaving in its wake a stream of news editorials and blog posts about who won and who looked the prettiest.

Next to the Best Picture category, the nominations for the actors and actresses provide sometimes career-defining moments and tear-jerking speeches that have helped contribute to the overall popularity of an event striving to both relive the historic achievements of the medium, whilst simultaneously reinventing itself in ever-social world with a nonstop news cycle. While the next week should see a huge uptick in the coverage of this annual Super Bowl of Hollywood award shows, we too, hope to capture at least a glimpse of the event in the pages of our publications.

We have unearthed an insanely large collection of curated materials that best showcase this event better than anything else our editorial team has tackled. Today and tomorrow we revisit the articles and publications that show off the nominees for Best Actor and Best Supporting Actor. Click the image to read, and feel free to discuss them on facebook, twitter, and in the comments below.

George Clooney
The Descendants
Esquire, January 2012

George Clooney's Thoughts For Today

Gary Oldman
Tinker, Tailor, Soldier, Spy
Esquire, January 2012

Gary Oldman: The Other Guys

Brad Pitt
Tree Of Life
Studio Cine Live, June 2011

Un apres-midi avec Brad Pitt

Jean Dujardin
The Artist
Vogue Paris, October 2011

Jean Dujardin with pleasure

Demian Bichir
A Better Life
Film Journal International, June 2011

Sueno Americano: Chris Weitz Helms Drama Of Father And Son Struggling To Make 'A Better Life'

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Cinema, with Subtitles

Belgium, Iran, Canada, Poland and Israel are the contenders for this year’s Foreign Language Film category.

Michael Roskam’s debut thriller is the first Belgian film nominated since Everybody Famous!, in 2001. Bullhead tells the story of cattle farmer Jacky Vanmarsenille (Matthias Schoenaerts, whose performance all critics have applauded) and the problems he and his family encounter after getting entangled with a dangerous cattle mafia.

However, the buzz is about much acclaimed Iranian film A Separation (with awards that include the Golden Globe, the New York Film Critics Circle and the National Society of Film Critics) which is competing against Israel’s Footnote. “There is something poetic about competing against Iran. Like in the film, there is a constant double sensation – on the one hand excitement and pride, and on the other hand fear,” said director Joseph Cedar who has already won an Oscar nomination for his 2007 film Beaufort about the Israeli army’s withdrawal from southern Lebanon.

Poland takes us back to World War II with its drama In Darkness, the story of a petty thief from Poland who becomes a hero by saving Jews from the Holocaust. Director Agnieszka Holland, who has already been nominated for Best Foreign Language Film for Angry Harvest and Best Adapted Screenplay for Europa, Europa has also directed episodes of cult series like The Wire, Cold Case and AMC’s The Killing.

As for Canada’s nomination, this is the second year in a row that a Québécois film becomes a candidate. This year’s film, Monsieur Lazhar, has already won the Best Canadian Feature at the Toronto International Film Festival and was recently named best Canadian film by the Toronto Film Critics Association. Its director, Pierre Falardeau tells the story of an Algerian refugee in Montreal who takes over a six-grade class after their teacher commits suicide in the classroom.

Bullhead, Belgium

Knack. July 2011

A Separation, Iran

Metro. November, 2011

Monsieur Lazhar, Canada

Cinema Scope. Fall, 2011

In Darkness, Poland

The Hollywood Reporter. November, 2011

Footnote, Israel

Le Noveul Observateur. May, 2011

 

 

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Cinemagic

Often unheralded beyond the glimmer and glitz of the major actors that comprise a motion picture, the technical categories harness art and craft of cinema.

Of the most visual is the technique through the production of a film is the cinematographer — the culmination of a complicated process that is more of an authorship of an original work dictated by a moving parts and light, not just the simple act of pointing a camera and shooting.

Without the cinematographer, the quality and depth of the picture and the beauty of its light fail, and the meaning behind the scene and all it portray, fail as well.

As an indicator, but not a predictor of Academy success — Emmanuel Lubezki won the feature film award from the American Society of Cinematographers on Sunday night in Hollywood for his work on Terrence Malick’s “The Tree of Life.”

Films winning the ASC Award have gone on to win the Oscar about half the time, including five times in the last 10 years.

And the nominees are:

The Tree of Life Emmanuel Lubezki
Film Comment, July – August, 2011

The Girl with the Dragon Tattoo
Jeff Cronenweth
Hollywood Reporter, January 20, 2012

War Horse
Janusz Kaminski
Hollywood Reporter, December 9, 2011

The Artist
Guillaume Schiffman
VSD, December 2011

Hugo
Robert Richardson
HDVideo Pro, December 2011

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Posted by: Taylor on February 15, 2012
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Best Original Screenplay

Two foreign movies compete this year for the writing award: Iranian Asghar Farhadi’s A Separation and French Michel Hazanavicius’ The Artist. It’s not such a long-shot to expect that one of them will win since it’s not the first time a foreign film would take the Oscar home.

Iran is a well-known reserve for great cinema and has been submitting films religiously since 1994. This time around, the Middle Eastern country has a solid chance to stand on the podium twice, as its family drama is also nominated for Best Foreign Film and arrives at The Kodak Theatre clothed in critical acclaim with a luggage full of awards.

On the other hand,  Michel Hazanavicius’ screenplay for The Artist is up for the prize along with nine other categories; among them, Direction, Cinematography, Best Actor and Best Supporting Actress (Hazanavizius wife, Bérénice Bejo).

It could be a very fruitful night for the French silent drama if Woody Allen’s 15th screenplay nomination Midnight in Paris doesn’t steal the thunder.

Kristen Wiig and Annie Mumolo, with their rather raunchy but truly endearing Bridesmaids, and newcomer J.C. Chandor, with the financial thriller Margin Call, are also nominated and could be the surprise of the night. It seems the writing Oscar will hold surprises in any case.

Find more about the films nominated for best screenplay in the articles below. Simply click to read the full text.

Bridesmaids (Kristen Wiig & Annie Mumolo)
Paper,
Winter 2011-2012

The Artist (Michel Hazanavicius)
The Hollywood Reporter, Nov. 25, 2011

Midnight in Paris (Woody Allen)
Studio Ciné Live, N. 15

Margin Call (J.C. Chandor)
Banker Middle East, Nov. 2011

A Separation (Asghar Farhadi)
Film Comment, Jan.–Feb. 2011
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